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Once upon a time, in a far away swamp, there lived an ornery ogre named Shrek whose precious solitude is suddenly shattered by an invasion of annoying fairy tale characters. There are blind mice in his food, a big, bad wolf in his bed, three little homeless pigs and more, all banished from their kingdom by the evil Lord Farquaad. Determined to save their home--not to mention his own--Shrek cuts a deal with Farquaad and sets out to rescue the beautiful Princess Fiona to be Farquaad's bride. Accompanying him on his mission is wisecracking Donkey, who will do anything for Shrek... except shut up. Rescuing the Princess from a fire-breathing dragon may prove the least of their problems when the deep, dark secret she has been keeping is revealed.
There is a moment in "Shrek" when the despicable Lord Farquaad has the Gingerbread Man tortured by dipping him into milk. This prepares us for another moment when Princess Fiona's singing voice is so piercing it causes jolly little bluebirds to explode; making the best of a bad situation, she fries their eggs. This is not your average family cartoon. "Shrek" is jolly and wicked, filled with sly in-jokes and yet somehow possessing a heart. The movie has been so long in the making at DreamWorks that the late Chris Farley was originally intended to voice the jolly green ogre in the title role. All that work has paid off: The movie is an astonishing visual delight, with animation techniques that seem lifelike and fantastical, both at once. No animated being has ever moved, breathed or had its skin crawl quite as convincingly as Shrek, and yet the movie doesn't look like a reprocessed version of the real world; it's all made up, right down to, or up to, Shrek's trumpet-shaped ears.
Much will be written about the movie's technical expertise, and indeed every summer seems to bring another breakthrough on the animation front. After the three-dimensional modeling and shading of "Toy Story," the even more evolved "Toy Story 2," "A Bug's Life" and "Antz," and the amazing effects in "Dinosaur," "Shrek" unveils creatures who have been designed from the inside out, so that their skin, muscles and fat move upon their bones instead of seeming like a single unit. They aren't "realistic," but they're curiously real. The artistry of the locations and setting is equally skilled--not lifelike, but beyond lifelike, in a merry, stylized way. Still, all the craft in the world would not have made "Shrek" work if the story hadn't been fun and the ogre so lovable. Shrek is not handsome but he isn't as ugly as he thinks; he's a guy we want as our friend, and he doesn't frighten us but stir our sympathy. He's so immensely likable that I suspect he may emerge as an enduring character, populating sequels and spinoffs. One movie cannot contain him.
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